I wrote and illustrated two new graphic book reviews of recently published collections of poetry, and the reviews have been published by the Green Mountains Review. The books are “To Make Room for the Sea” Adam Clay, read it here, and “Soft Targets” by Deborah Landau, read it here. Thank you to the Green Mountains Review for publishing this series of mine, and thank you to the authors of these books for giving me fodder for creative response. Here are excerpted panels of the Adam Clay review,
And here are excerpted panels of the Deborah Landau review,
I’m thrilled to announce that a new collaboration has been released into the world of hybrid art and literature—poetry and paintings, the former by the lovely and talented GennaRose Nethercott, and the latter by yours truly.
GennaRose is the author of the highly acclaimed and stunning book of poems, The Lumberjack’s Dove, which was published by HarperCollins, and was selected by Louise Gluck for the National Poetry Series in 2018. A hearty cheers for all of this, but more importantly for me, GennaRose is a delightful, enthusiastic presence in Vermont, where I have crossed paths with her in literary and artistic circles over the past decade. We finally came together to collaborate on this exchange of art and poetry, for the series published by 7×7.la, who describe their project this way:
“Launched in 2015 to facilitate a new kind of interdisciplinary collaboration, each 7×7 invites one visual artist and one writer to engage in a two-week creative conversation. The format, inspired by Surrealist games of the early 20th century, challenges participants to improvise, in their respective disciplines, a spontaneous story that pushes into ever-wilder imaginative terrain. Every finished 7×7 is singular, unclassifiable, and wholly original.”
I loved this process, and the results are pretty dandy.
I’m so excited to have been asked by Bianca Stone to join the Ruth Stone Foundation Reading Series at the Wishbone Collective in Winooski on May 17th, with Marina Blitshteyn, MC Hyland, and Leanne Ruell.
Again, the event will be hosted by Wishbone Collective in Winooski, and there will be books for sale by Antidote books. Doors at 6pm, reading at 6:30pm. Drinks and snacks will be available.
I am thrilled to have been asked to visit the MFA in Writing & Publishing program at the Vermont College of Fine Arts this upcoming February to speak about my career in writing, my experience with graphic literature, and my work with small independent publishers.
I’ll be joining a panel discussion, craft lecture, and reading on February 8th with Erin Stalcup and Justin Bigos to speak on our collective experience with being published by Gold Wake Press.
Then, I will be collaborating on a cross-genre craft lecture with Vermont poet and artist Bianca Stone on graphic literature.
In the evening, I will join several Vermont authors for a reading. (Time and place forthcoming).
I have been involved with so many art and writing projects (and publications) over the past few months that it slipped my mind to share the news that several pieces of mine were published in The Daily Palette, through Iowa Writes.
I’ve been published! Read the new issue of MIRACLE MONOCLE: a Poetry, Prose, and Hybrid journal, out of Louisville. I am going to borrow some of the words of Sarah Anne Strickley, the Faculty Editor of the journal, to announce the release:
“We are now pleased to announce the release of Issue X of Miracle Monocle, the University of Louisville’s online literary journal.
Highlights of this eclectic and spunky issue include a Special Feature delving into the writerly allure of collage art. Enjoy galleries of gorgeous–and sometimes charmingly grotesque–images created by writers of prose and poetry alike, including Karyna McGlynn, Matthew Vollmer, and John Gallaher.
You’ll meet the winners of our Award for Emerging Writers and Award for Ambitious Student Writing in our Nonfiction and Ambitious Student Writer categories respectively. Erin Wood and Jessica Newman are writers you’re going to want to watch; we believe they represent a bright future for innovative literary art.
In the end, we encourage you to peruse the whole darn issue–perhaps reading it as you enjoy the first fumblings of Spring through an open window. Or, better yet, get outside and read Miracle Monocle on your phone or tablet. We know you’re going to find something in this issue that will refresh your sensibilities and re-orient your sense of what’s possible on the page.”