The Iowa Review has published my graphic book review of Guantanamo Voices: Sarah Mirk’s masterpiece (editor, writer, comic). It’s a must-read for 2021 if you haven’t already picked up a copy! Here you can find my review: The Iowa Review
Over the span of three days, I painted a mural of Vermont bird species on the wall of the wood-fired pizza oven in the soon-to-open Woodbelly restaurant in Montpelier, Vermont. The process was thrilling, from the initial stages of sketching and planning to the finishing touches of brushwork on the wall. I wanted to keep the color palette simple, three colors at the most, so I selected birds whose plumage naturally display black, red, and yellow. This triple color combination actually generated a long list of birds, so I narrowed it down to the loon, red-winged blackbird, saw-whet owl, yellow warbler, crossbill, cedar waxwing, cardinal, crow, pileated woodpecker, and chickadee. And, on the last day, I painted a few quirky robots in the corner to decorate the electric panel. I can’t wait for the restaurant to open to sit at the bar with a pizza and a beer and see my mural as the backdrop to culinary action.
I wrote and illustrated two new graphic book reviews of recently published collections of poetry, and the reviews have been published by the Green Mountains Review. The books are “To Make Room for the Sea” Adam Clay, read it here, and “Soft Targets” by Deborah Landau, read it here. Thank you to the Green Mountains Review for publishing this series of mine, and thank you to the authors of these books for giving me fodder for creative response. Here are excerpted panels of the Adam Clay review,
And here are excerpted panels of the Deborah Landau review,
I have several new poems, art, and a graphic review in Gold Wake Live, the online journal of the publishers of Gold Wake books. Take a read if you please.
Here’s my graphic review of My Family and Other Animals, which I re-read this summer.
“Sandorkraut” and the Truth about Rot
I have just been published in the food culture journal, Gastronomica. The journal is free online this month, and my piece is in this recent issue. Here is the link to the whole issue: Gastronomica summer 2020
Oaxaca is one of my favorite cities—what a robust art culture, both traditional and contemporary. I spent hours in museums: the contemporary art museum, the contemporary painting museum, the textile museum, and Francisco Toledo’s restored art center in San Augustin in Etla, called C.A.S.A., where they make handmade paper with natural dyes, and pottery, printmaking, you name it. I filled an entire notebook of paintings of trees, flowers, foods, people, sculptures; here is a small handful of paintings from this recent trip. 
Prompt Press has just published an interview between myself and Ethan Evans, take a read:
IMAGE + WORD INTERVIEW 1: WALTER BENJAMIN REIMAGINED
Sometimes I’m too productive for my own good—I lose track of art and writing pieces as I start new projects, and I’m grateful that my old computer hasn’t kicked the bucket (yet), for I often rediscover artwork that I forget even having created. Here’s a painting of mushrooms that I made to compliment and article I wrote for Vice magazine’s food imprint, “Munchies,” many years ago, although I’ll admit that they didn’t choose to include the illustration, and they gave my essay a new title which I’m not as fond of (so goes the editorial process!): This Man Believes Mushrooms Can Solve Virtually All of Humanity’s Problems
