One of my favorite art mediums is relief printmaking, either woodcuts or linocuts. Up until this month, I had not yet thought to create a block-print-zine, and by Jove, it worked out swimmingly!
The Ladybroad Ledger is a free femme Alt Comics newspaper in Vermont. They produce an annual publication to promote comics by femme and nonbinary Vermont cartoonists. What could be better? I’m a frequent contributor, and I’m pleased to have been included in the most recent issue, which you can find paper copies of around coffee shops, libraries, and bookstores around VT. Here are the comics of mine that they published in this recent issue:
The Iowa Review has published my graphic book review of Guantanamo Voices: Sarah Mirk’s masterpiece (editor, writer, comic). It’s a must-read for 2021 if you haven’t already picked up a copy! Here you can find my review: The Iowa Review
I am thrilled to have been asked to visit the MFA in Writing & Publishing program at the Vermont College of Fine Arts this upcoming February to speak about my career in writing, my experience with graphic literature, and my work with small independent publishers.
I’ll be joining a panel discussion, craft lecture, and reading on February 8th with Erin Stalcup and Justin Bigos to speak on our collective experience with being published by Gold Wake Press.
Then, I will be collaborating on a cross-genre craft lecture with Vermont poet and artist Bianca Stone on graphic literature.
In the evening, I will join several Vermont authors for a reading. (Time and place forthcoming).
I have some BIG ART and LIFE NEWS! I turned my manuscript in today for a new book with MIT Press! It won’t be released until next year, but the deadline was last night, and though I feel like a paper doll or zombie from lack of sleep and overworking my drawing fingers, I’m ecstatic and relieved to have completed this stage of the process. BUT, I am thrilled to be working on this book, which in short, is a graphic nonfiction “translation” of Walter Benjamin’s dreams, philosophies, and aphorisms. It’s been a long process and much more work lies ahead. Here are some teasers and some evidence of the towers of research texts that I accumulated during my process. You’ll also notice a stack of *some* of my notebooks filled with drawings. I can’t share any full illustrations, because art is not free and I want the book to stand alone as a physical art object in collaboration with MIT. For a better idea of what I’m working on, check out the fall 2017 issue of The Iowa Review, they published a visual essay of mine about Walter Benjamin, which was the precursor to this upcoming book, here’s the link.
I have been involved with so many art and writing projects (and publications) over the past few months that it slipped my mind to share the news that several pieces of mine were published in The Daily Palette, through Iowa Writes.
I’ve been published! Read the new issue of MIRACLE MONOCLE: a Poetry, Prose, and Hybrid journal, out of Louisville. I am going to borrow some of the words of Sarah Anne Strickley, the Faculty Editor of the journal, to announce the release:
I worked as the graphics guest editor for the vivid, meticulous, unusual, lovely literary and arts journal The ILANOT REVIEW. This issue is special to my interests, as it is a “graphics” oriented theme—poetry comics, graphic essays, illustrated fiction, comic narratives, and hybrid works of unnamed genres. There are some true treasures here, including an interview with poet and comic artist Bianca Stone, along with dozens of talented poets, painters, and other artist-writers from around the world. I had the privilege of contributing to the editing and selection of these works. Take a look! Click the link for the full journal.
Image credit Regina Jean, one of the contributors to this issue